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One documentary changed the history of movies. Movies are not just fictional, but for real with real human beings telling/living real lives. The original film made by Albert and David Maysles featured two women living in Grey Gardens, a big mansion garden in East Hampton. They are not just any other two women. They are from one of the famous families in U.S., the Bouvier family. They are mother and daughter, forming one of the most fascinating relationships in the world. And they certainly lived it to its extreme.

Life doesn’t take things for granted. When little Edith was young, she had everything a girl would ever dream of – beauty, wealth and prestigious background. She was raised with privileges and carried away with her dream to become an actress. Her mother, Edith, followed every girl’s dream to marry a counterpart and brought up three children. However, in the end, the mother and daughter were both abandoned by the upper class and chose the shelter of Grey Gardens. They were cut off from relatives and friends. By living in the Grey Gardens, they found the a quiet corner to lick their wounds from missing beloved ones.

 

I was doubtful about the movie at the beginning. What else could we get from this movie except the initial shock in original documentary? About watching 5 minutes into the movie, I started to feel absorbed in and connect the dots along the story development. If the original documentary told us “what was happening”, this one definitely answered “why it was happening”.

 

Why didn’t little Edith leave Grey Gardens? It was not that difficult after all. There was the car and New York is just within driving distance. Instead, little Edith stayed in Grey Gardens for most of her life to take care of her mother and many cats. Maybe it wasn’t the Grey Gardens that she wanted to stay but rather the outside world she was afraid to get hurt again. She was a singer, a fashion model and a mistress. But none of these above roles could satisfy her artistic dream. It became tiring and pointless to work hard on anything she wanted. Grey Gardens offered everything she was familiar with and could never disappoint her as it was just an old house getting ruined just as her own youth. There was nothing younger than her, not in Grey Gardens at least.

 

Why did both Edith’s end up in Grey Gardens? The mother had planned her daughter’s life right at the beginning. She could have married the diplomat, the prince, the millionaire. The daughter had planned her own life right at the beginning. She could have become a famous dance and singer, entering movie industry or married one of Kennedy’s and become the First Lady. None of this ever happened. The mother who took every step she was supposed to make and the daughter who didn’t take any step she was supposed to make, finally end up in the same place and reach the mutual understanding. Life is all the same. To certain extent, it is kind of fair.

 

Why is this movie interesting, even fascinating? Jessica Lange and Drew Barrymore. They are the kind of actress who can play famous documentary characters and make them even more real than the real ones. They didn’t pursue the exactness of physical resemblances but the mental status. Both managed to cross 30 years of time span – Jessica, from a middle-aged social queen to a bittersweet cat lady; Drew, from a young rising sweetheart to a constantly whining loony. They completed process from tasteful middle class to eccentric lost nobody. And I have to admit, the process is sad but divine.

 

Nothing is more notable than the acting. The power of reality and acting miraculously joined in force in Grey Gardens. It is surrealistically real and unbelievably believable. I know grammatically it doesn’t make sense. Well, you would have to watch it to make it sensible. Because it is Grey Gardens.

I like or even I dare say adore Michelle Pfeiffer. Except for the fact that she is beautiful just being who she is, she glows in her roles in whatever role she brings on the big screen at all ages. Yes, given the fact this is a kind of “Mrs. Robinson” movie, Michelle still outshines all through the whole story.

Lea is a courtesan who has been noted as one of the most beautifule. She met the 19-year-old boy, Cheri, who is feeling bored and pointless among women and alchol. It doesn’t take long for these two persons to find common interests between two hungry souls for love and lust. Though neither of them expects to be in relationship forever, it gets intervened by Cheri’s arranged marriage with another young woman after being six years with Lea. It is such a dramatic moment as the young boy has learnt the ways of love to love another woman, while the loving one has to escape from the pain of losing it. After a short period of honeymoon, Cheri comes back to town with a restless longing for his true love, Lea. He waits and waits, night after night, at the gate of Lea’s house until Lea is finally home.

I do not want to tell the rest of movie as the story goes way beyond more than a love comedy from that moment on. It is no longer about the love affair between two matched souls of unmatched ages. It is truly about the sad truth that our stupid fight to deny love when it is just right in front of us and right beside us at this right time. The simple words said by Lea are the most powerful irony that we lay down on our hypocritic deception of love. We have been trying to define it, rule it and reason it and simply forget it may be just as simple as the pleasure we take from a delicate bite of an apple, or a careless glimpse of horizon ending in between the shining blue sky and ravishing green grass.

As Lea says to Cheri in the last scene:
Yesterday you came back and you found an old woman. Yes, an old woman. Don’t cry. Why are you crying? I am so grateful to you. Were you really in love with me? Did you really think I was such a good person? If I had been truly a good person, I would have made amount of you instead of thinking of nothing but your pleasure and my happiness. I would have kept you all to myself. Look at me. You are right. The qualities you lack I expect it is my fault. But there it is for easy living does make you very vulnerable. So no, I never talked to you about the future. Forgive me as I loved you as if we were going to die at the same day. I carried you in my heart as such a long time. I forgot you were going have to take your own burdens, a young wife, perhaps even a child. And so, you are going to suffer. You are going to miss me. And you are going to try to find enough wisdom and tolerence not to cause suffering to others. The thing is now you have had the taste of youth. It is never satisfying but you will always want to go back for more. You must go. I love you but it is too late.

When Lea and Cheri grow apart and eventually live only as an image in each other’s memory, they are both unjustly punished. Lea, for having been born so many years before Cheri; Cheri, for having been born so many years after Lea so he failed to grasp that Lea was the only woman he would be able to love. And once he is settled in mind that this is the case, he looked out his own revolver and put a bullet in his head.

I truly believe Lea is the love of life for Cheri’s and the life of love in everyone’s life. Trust me, it is just as if Love could speak when you are stepping away from it.

是寂寞

从“抽的不是烟,是寂寞”开始, 寂寞开始蔓延。从出生那刻开始,我们注定了就是孤独的。所以寂寞其实一直都在,只是当所有人在一起的狂欢都成为了各自的寂寞的时候,我想我们注定了就是寂寞的。而这本身比孤独更身不由己。

How long can you love a person? That is the question printed in Italia on the poster of Love in the Time of Cholera. But it is not a question for answer but more of an answer to many questions in challenging relationships.

 

It all started from a glimpse of sight when they were young. Florentino was the telegraph boy with a lot of love and fell in mutual passion with young Fermina. Though young at age, Florentino was convinced that Fermina was his only true love. However while growing uo, Fermina decided to wed Juvenal, a respectful doctor instead as she found her passion for Florentino was nothing more than illusion and Juvenal was able to provide more security and stability in marriage life. When their story was supposed to part away, Florentino kept the flame of love for Fermina but pursued sexual pleasure with other female objects. The divided love continued till Juvenal died as Florentino proposed again to Fermina while they were already old. Eventually, two lovers completed their love story on a boat in private.

Florentino waited 51 years 9 months and 4 days for his lover being available again. During the whole time, he hardly had actual face-to-face moments with Fermina. While Fermina went for marriage to seek stability, Florentino chased after lust. It seems symbolic as these are the nature of female and male wanting different things in a relationship. Can love survive when the desire/passion/illusion fades out in life? What exactly is the notion of love? Is it like what Florentino described as “the state of grace” or what Fermina said once as “the pure illusion”?

Love is still love. It is the moment Florentino playing violin outside of Fermina’s window and claimed her the only love in his 20’s. It is also the moment Florentino standing in solitude at the Juvenal’s funeral and claimed her the only love in his 70’s. Love first planted the seed and then blossomed almost half century later. This is love. No more, no less. Love is a state of mind. It is like a sickness such as cholera, getting you depressed of being alive spiritually and meanwhile getting you excited of being alive sexually. It is maintained as a state of grace, making you suffer the utmost level of pain and then offering the utmost of pleasure. It is divided and united. It is in harmony and paradox. After all, it is worth waiting.

I haven’t read the original book written by Gabriel Garcia Marquez. Nevertheless, I sense the power of story from the silver screen via the acting. Setting in Mexico and picking one Spanish and one Italian to lead the roles, the British director Mike Newell is certainly very brave. After Four Weddings and A Funeral and Harry Potter, I have to agree with Mike that sometimes to tell a fast-paced story slow requires a lot of courage and skills. Now I have to say to tell a slow motion story really beautiful and enchanting requires even more courage and skills and he did it.

Little girls will grow up one day. They may get married and give birth to other little girls. But in parents’ eyes, they remain as little girls. And what little girls really care and depend on is a simple hug and a small kiss.

Butterfly Fly Away

You tucked me in, turned out the light
Kept me safe and sound at night
Little girls depend on things like that

Brushed my teeth and combed my hair
Had to drive me everywhere
You were always there when I looked back

You had to do it all alone
Make a living, make a home
Must have been as hard as it could be

And when I couldn’t sleep at night
Scared things wouldn’t turn out right
You would hold my hand and sing to me

Caterpillar in the tree
How you wonder who you’ll be
Cann’t go far but you can always dream

Wish you may and wish you might
Don’t you worry, hold on tight
I promise you there will come a day
Butterfly fly away

Butterfly away, butterfly fly away
Flap your wings now you cann’t stay
Take those dreams and make them all come true

Butterfly fly away, butterfly fly away
We’ve been waiting for this day
All along and knowing just what to do
Butterfly, butterfly, butterfly, butterfly fly away

Butterfly fly away

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